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How I Learned to Drive, by Paula Vogel
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Balmy evenings in rural Maryland are fraught with danger, and seductions can happen anywhere from a river bank to the front seat of a car, where a young self-conscious girl is learning to drive. To Lil Bit, the radio is the most important part of the car, but the pop music of the 50s can never quite drown out the harrowing images in her mind.
A L.A. Theatre Works full-cast performance featuring: Randall Arney, Joy Gregory, Glenne Headly, Paul Mercier, Rondi Reed
- Sales Rank: #5546658 in Books
- Published on: 1997-12
- Original language: English
- Number of items: 1
- Dimensions: .40" h x 5.40" w x 7.60" l,
- Binding: School & Library Binding
- 61 pages
Review
L.A. Theatre Works, a nonprofit theatre and radio production company, deserves a standing ovation for publishing consistently superb work. Most people simply do not have the time or the opportunity to see the many plays written in the last year, let alone the past decade. L.A. Theatre Works has been producing and recording plays for 10 years, and offers an extensive catalog of a varied body of work. I have heard nothing but top-notch acting and production values in the several plays I sampled and the one recording I witnessed. The plays are all about 90 minutes to two hours long. Most cost $18.95, and are available in stores or by calling (800) 708-8863. Recent productions include "How I Learned to Drive" by Paula Vogel. Vogel's play takes a light look at a dark subject, focusing on Li'l Bit, the daughter of a rural Maryland woman whose uncle taught her much more than simply how to drive. She writes of the psyche-scarring, incestuous relationship between the pre-pubescent main character and her grown-up uncle. Her straightforward honesty and unabashed humor offers a remarkably candid view of family disfunction. Glenne Headly, with her youthful-sounding voice, is perfectly cast as Li'l Bit. She effortlessly portrays a confused girl and an older, angrier woman. However, even as her character ages, that tremulous, girlish quality to Headly's voice consistently enriches her performance. --Los Angeles Times
From the Inside Flap
Balmy evenings in rural Maryland are fraught with danger, and seductions can happen anywhere from a river bank to the front seat of a car, where a young self-conscious girl is learning to drive. To Li'l Bit, the radio is the most important part of the car, but the pop music of the 50's can never quite drown out the harrowing images in her mind.
An L.A. Theatre Works full-cast performance featuring Randall Arney, Joy Gregory, Glenne Headly, Paul Mercier and Rondi Reed.
About the Author
Paula Vogel is an American playwright and university professor. She received the 1998 Pulitzer Prize for Drama for her play How I Learned to Drive and the Award for Literature from The American Academy of Arts and Letters in 2004. Vogel was Chair of the playwriting department at the Yale School of Drama.
Most helpful customer reviews
0 of 0 people found the following review helpful.
good
By OA
Great condition and very good for use in class!
2 of 2 people found the following review helpful.
This book seems to put together wrong...
By Ellie R.
Something is wrong with the way this book is put together. Page 40 and page 41 are not continuous pages. There should be a page in there or something. It's very weird. And I know it's not supposed to be like that because I read this play in school and I liked it, so I got a copy recently. (It's a great play by the way. It's disturbing but very moving at the same time). After I found the misprint I ordered another copy because I thought maybe it was just in that one, but it's in the second one I got too. I'm going to order a different edition of the play.
0 of 0 people found the following review helpful.
How I learned to Drive
By breezy bee
It's a good play, it took a while to get it in the mail. It was for a college assignment.
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