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This Present Moment: New Poems, by Gary Snyder
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"This present moment
That lives on
To become
Long ago."
For his first collection of new poems since his celebrated Danger on Peaks, published in 2004, Gary Snyder finds himself ranging over the planet. Journeys to the Dolomites, to the north shore of Lake Tahoe, from Paris and Tuscany to the shrine at Delphi, from Santa Fe to Sella Pass, Snyder lays out these poems as a map of the last decade. Placed side-by-side, they become a path and a trail of complexity and lyrical regard, a sort of riprap of the poet’s eighth decade. And in the mix are some of the most beautiful domestic poems of his great career, poems about his work as a homesteader and householder, as a father and husband, as a friend and neighbor. A centerpiece in this collection is a long poem about the death of his beloved, Carole Koda, a rich poem of grief and sorrow, rare in its steady resolved focus on a dying wife, of a power unequaled in American poetry.
As a friend is quoted in one of these new poems:
"I met the other lately in the far back of a bar,
musicians playing near the window and he
sweetly told me “listen to that music.
The self we hold so dear will soon be gone.”"
Gary Snyder is one of the greatest American poets of the last century, and This Present Moment shows his command, his broad range, and his remarkable courage.
- Sales Rank: #303445 in Books
- Published on: 2015-04-14
- Original language: English
- Number of items: 1
- Dimensions: 9.10" h x .70" w x 6.10" l, .0 pounds
- Binding: Hardcover
- 88 pages
Review
“This Present Moment maintains Snyder’s steadfast, wise witnessing as he walks a Siberian Outpost meadow, gazes at clear-cut forest, or considers changing farmland in Italy. Snyder’s clearsightedness and meditative voice, even in the face of struggle or destruction, give the work much of its power."—Christian Science Monitor
"Snyder has parceled out the decade since his last poetry collection (Danger on Peaks) into textured poems of a rare and welcome candor."—Publisher's Weekly
"[E]ach of the moments of these poems is completely open, even when, as in the long, particular poem about the death of Snyder’s late-life love, “Go Now,” it resounds with deep personal emotion. The moment of a Snyder poem is the “Eternal Now” of mindfulness and awareness, a good place to be."—Booklist
"Snyder is an elder statesman of the natural world and the tribal unions of poetry. He has a body of work as original as predecessors William Carlos Williams and Wallace Stevens."—The Bloomsbury Review
"His greatest strength—a quiet and profound elegance, an ability to write a simple phrase that seems to have been echoing through human consciousness for three or four thousand years."—Lewis MacAdams, California Magazine
"This poet’s great gift has always been perfect visual clarity . . . and, needless to say, derives from Snyder’s vision in the larger sense."—Paul Berman, Village Voice
"What thoughtful beauty! How skillfully Gary Snyder interfuses the practical knowledge of an animal sense with story, language, and song. True teachers in America are now an endangered species. I learn so much from this good man’s perception, humor, discipline, and love for this world."—James Hillman
About the Author
Gary Snyder was born in San Francisco on May 8, 1930. His first book, Riprap, published in 1959, has become a classic in American poetry, and he’s gone on to publish more than a dozen collections of poetry and prose. Practice of the Wild is one of the most influential books about the environment of the last fifty years. His recently completed long poem, Mountains and Rivers Without End, is broadly recognized as one of the greatest long poems in American literature, and his last book of poems, Danger on Peaks, was a finalist for the National Book Critics Circle Award. He was awarded the Bollingen Prize for poetry in 1997. He also has the distinction of being the first American to receive the Buddhism Transmission Award from the Bukkyo Dendo Kyokai Foundation.
Excerpt. � Reprinted by permission. All rights reserved.
I could never be a Muslim, or a Christian, or a Jew because the Ten Commandments fall short of moral vigor. The Bible’s “Shalt not kill” leaves out other realms of life,
How could that be? What sort of world did they think this is?
With no account for all the wriggling feelers and little fins, the spines, the slimy
Necks -- eyes shiny in the night – paw prints in the snow.
And that other thing, can’t have “no other god before me” – like,
profound anxiety of power and jealousy and envy, what sort of god is that?
Worrying all the time?
Plenty of little gods are waiting to begin their practice and learn just who
they are.
Most helpful customer reviews
21 of 23 people found the following review helpful.
For all of it.
By Ernest Presley
I'm glad to have a new book of Gary's poems. I am thankful for his life, his rootedness, and that he has so simply shared it with us all, over and over again. He stands before us on the page a plain old man, and in this, becomes remarkable. He calls us into our most human selves. Good for you Gary! Thanks for all of it.
15 of 16 people found the following review helpful.
Gary Snyder rocks
By James W.
Gary Snyder, what a man. In the fall of 1968 I watched Thurgood Marshall preside over a moot court of law students, heard Alex Haley speak about his time and conversations with Malcolm X and his current project, Roots, but the most powerful presentation I witnessed on campus that freshman fall was a poetry reading and elucidation by Gary Snyder.
Though identified as one of the Beats, he didn't speak at all about that time or those people. In hindsight we can see that he influenced the Beat poets and writers more than they him. He introduced Allen Ginsberg, Phillip Whalen and Jack Kerouac to Buddhist thought, sensibilities, and Zen meditation. He got Kerouac and Phillip Whalen jobs as fire lookouts in the Cascades. Now at 83, he is one of the few surviving and other than Laurence Ferlinghetti, may be the longest lived of the Beats.
That night in ’68 he read his poems, mostly from his upcoming Turtle Island, for which he would win the Pulitzer Prize. After each poem he spoke of the connections to Buddhism, the earth, Native American symbology and myths. He talked, knowing poetry was his way to link them together. Then he would recite another poem. He was aware of the difficulty of trying to assimilate so many histories, cultures, identities and ideas into a brief spoken format. He tried his best to inform his listeners, that night to his audience, and ever after to the readers of his poems.
He tried to explain his melded interests, a sacred earth, our environment, how cultures from ancient Chinese to Native American treated their world, and how to translate it into words. He was living in the eastern Sierras, trying to integrate what he knew with the life he lived and observed. He was sympathetic to the loggers and the back to the land neighbors in his mountains, but did not hesitate to point out anomalies. He said the geodesic domes erected by new age wannabes seemed like “warts on the earth.”
Now I occasionally come across one of his poems. It's like running into an old friend. It's hard to remember too many details of my only encounter with him. I admire his passion of exploration. He seems never to have stopped, delving further into environmental care and activism. He has never ignored the world he is part of, still striving to preserve and convey what is important. His unifying vehicle has always been poetry, his sincerity overwhelming. This I recall then, and imagine now.
Then I met him at a reading this year. He makes the world a better place.
18 of 20 people found the following review helpful.
Important
By Mark Statman
So Snyder has been a constant voice for as long as I have known there is such a thing as poetry. Is this his best book? No. It is uneven, but it is still a major work because he is so important. His poem for his dead wife is memorial, eulogy, celebration, sadness. Alone it makes this an important book.
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